The creation of this sequence was aided heavily by the usage of key-frames. These key-frames to be exact...
Doing the in-between frames was far easier, i would roughly sketch out each frame with coloured pencils then once i'd scanned all the roughs into the computer and played them back at 12 frames per second I found that they flowed rather nicely. Perhaps the actual motion of the dog teddy collapsing could have been faster to resemble real-time, but in the end I felt I quite liked the slow motion effect. Besides, with barely a few days left and quite a lot of frames left to produce, I understood I really did't have the time to be cutting frames.
So with that in mind I took all my rough frames, traced over them with a fine-line pen and scanned the neat frames into the computer.
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